 Event |
The Chronicle of Macbeth
|
| Venue |
Theatre Royal, Hobart, TAS |
| First Date |
18 April 1992 |
| Opening Date |
18 April 1992 |
| Last Date |
25 April 1992 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Part of a Tour |
Yes |
| Description |
As a chronicle, the story of Macbeth has been taken by Suzuki and applied to a state of mind condition that is sorely afflicting the world today, the reult of excessive desire and the need for people to take more responsibility for the results of their actions. |
| Description Source |
Reviewer's Opinion |
| Primary Genre |
Theatre - Spoken Word
|
| Secondary Genre |
Contemporary
Suzuki
|
| Organisations |
|
| Contributors |
|
| Resources |
-
Article: Helen Gilbert, Jacqueline Lo, Toil and traffic: Australian appropriations of the Suzuki Method, Australasian Drama Studies, 39, October 2001, 76-91
-
Book: Helen Gilbert, Jacqueline Lo, Performance and Cosmopolitics: Cross-cultural Transactions in Australasia, Palgrave Macmillan, New York, 2007
-
Review: Chris Boyd, Melbourne Times, 18 March 1992
-
Review: Fiona Scott-Norman, Inpress, 18 March 1992
-
Review: John Larkin, The Sunday Age, 23 March 1992
-
Review: Leonard Radic, The Age, 17 March 1992
|
| Works |
|
| Text Nationality |
England
Japan
|
| Production Nationality |
Australia
|
| Event Status |
Completed
|
| Data Source |
| Source |
Description |
| Australian & New Zealand Theatre Record |
March 1992 |
| Programme |
|
|
| Data Reviewed By
| Geoffrey Milne (GeoffreyMilne) on 11 February 2012 |
| Data Set |
AusStage |
| Event Identifier |
98757 |
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