| Somewhere, Everywhere, Nowhere | ||||||||||||||||||||
| Venue | Space Theatre, Adelaide, SA | |||||||||||||||||||
| Umbrella Event | OzAsia Festival 2021 | |||||||||||||||||||
| First Date | 21 October 2021 | |||||||||||||||||||
| Last Date | 23 October 2021 | |||||||||||||||||||
| Dates Estimated | No | |||||||||||||||||||
| Status | Professional | |||||||||||||||||||
| World Premiere | Yes | |||||||||||||||||||
| Description | Australian dance-maker Alison Currie aims to shift the boundaries of dance by incorporating inanimate objects within her praxis. Berlin-based dancer Yui Kawaguchi visited Adelaide and performed during OzAsia in 2018, when the two women met and began a working relationship. They have been collaborating remotely in the intervening years, exchanging stories and phone calls as well as holding video rehearsals. Spontaneous sound recordings collected throughout this period led the artists to think about differences in seasons, hemispheres and time zones and eventually became material for parts of Sascha Budimski's excellent sound design in this world premiere of Somewhere, Everywhere, Nowhere. | |||||||||||||||||||
| Description Source | Programme | |||||||||||||||||||
| Primary Genre | Dance | |||||||||||||||||||
| Secondary Genre |
Dance Theatre
|
|||||||||||||||||||
| Related Events |
|
|||||||||||||||||||
| Organisations |
|
|||||||||||||||||||
| Contributors |
|
|||||||||||||||||||
| Resources |
|
|||||||||||||||||||
| Works | ||||||||||||||||||||
| Text Nationality | Australia
Japan |
|||||||||||||||||||
| Production Nationality | Australia
Japan |
|||||||||||||||||||
| Event Status | Completed | |||||||||||||||||||
| Data Source |
|
|||||||||||||||||||
| Data Set | AusStage | |||||||||||||||||||
| Event Identifier | 170719 | |||||||||||||||||||
Provide feedback on Somewhere, Everywhere, Nowhere