 Event |
Sensitive Chaos
|
| Venue |
The Performance Space (1983-2007), Redfern, NSW |
| Umbrella Event |
Soundculture: Impossible Objects, Invisible Cities |
| First Date |
20 October 1991 |
| Last Date |
2 November 1991 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Description |
"Rik Rue has used the tape recorder as an instrument since 1982 to combine his love of environmental sounds and world musics with his interest in improvisation and his desire to document and re-arrange sounds.
In this installation, Rue used close-perspective digital recordings made during 1990-91 at various reef ledges around Sydney Harbour as the source for the work. The water flows, ebbs and lappings are remixed and distributed around 4 speakers, giving an impression of fluidity to the confined space." |
| Description Source |
Programme |
| Primary Genre |
Other
|
| Secondary Genre |
Installation
|
| Related Events |
|
| Organisations |
|
| Contributors |
| Name |
Function |
Notes |
|
Rik Rue
|
Sound Artist
|
|
|
| Further Information |
This is a part of Soundculture 1991: Impossible Objects, Impossible Cities.
Soundculture takes the temporal form of a three year event, moving from Sydney in 1991 to Los Angeles in 1992 and Tokyo in 1993. Only a small portion is available on Ausstage, for full program details please see The Performance Space Archive.
|
| Event Status |
Completed
|
| Data Source |
| Source |
Description |
| Performance Space Database |
|
|
| Data Set |
AusStage |
| Event Identifier |
142334 |
Provide feedback on Sensitive Chaos