Event |
No(h) Exit
|
| Venue |
The Wharf Theatre, Sydney, NSW |
| First Date |
25 February 1987 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Description |
"The clever collective title No(h) Exit for this set of three existentialist one-act plays by two very different writers is a pun on Sartre's invigorating No Exit and Japanese Noh Drama". |
| Description Source |
Reviewer's Opinion |
| Primary Genre |
Theatre - Spoken Word
|
| Secondary Genre |
Noh
|
| Organisations |
|
| Contributors |
|
| Resources |
-
Article:  Andrew Urban, The Australian, 27 February 1987
-
Article:  Brian Hoad, The Bulletin, 17 March 1987
-
Article:  H G Kippax, Sydney Morning Herald, 27 February 1987
-
Article:  Mick Barnes, Sun Herald, 1 March 1987
-
Book:  Sydney Theatre Company 1987 Season [brochure] and Subscription Series Booking Form, Marion Roubos-Bennett Collection, November 1986
-
Review:  Paul McGillick, [No(h) Exit], Centrestage Australia, 1, 8, April 1987, 28
|
| Works |
|
| Text Nationality |
France
Japan
|
| Production Nationality |
Australia
|
| Further Information |
"Comprised No Exit, by Sartre, translated by Akerholt; The Lady Aoi, by Mishima, translated by Keene; Hanjo, by Mishima, translated by Keene.
First Subscription Season play mounted in the Wharf Studio (now Wharf 2)."
|
| Event Status |
Completed
|
| Data Source |
| Source |
Description |
| Australian Theatre Record |
February 1987 |
| Marion Roubos-Bennett Collection |
STC Programmes |
|
| Data Set |
AusStage |
| Event Identifier |
1347 |
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