AusStage

Export | Feedback | Print

Subject	Indigenous Peoples
Events	ScatterGun After the Death of Rūaumoko, Reginald Theatre (Seymour Centre), Chippendale, NSW, 13 September 2022 Black Ties, Waitākere Room, Auckland, New Zealand, 11 March 2020 Black Ties, Shed 6, Wellington, New Zealand, 4 March 2020 Buŋgul, Thebarton Theatre, Torrensville, SA, 2 March 2020 Black Ties, ANZ Pavillion, Melbourne, VIC, 21 February 2020 Black Ties, Studio Underground, Perth, WA, 13 February 2020 Black Ties, Sydney Town Hall, Sydney, NSW, 10 January 2020 Black is the New White, Heath Ledger Theatre, Northbridge, WA, 11 September 2019 Winyanboga Yurringa, Belvoir St Theatre, Surry Hills, NSW, 4 May 2019 Ones Country - The Spine of our Stories, Carriageworks, Eveleigh, NSW, 24 November 2017 Spirit of Things: The Sound of Objects, Carriageworks, Eveleigh, NSW, 27 October 2016 Winyanboga Yurringa, Carriageworks, Eveleigh, NSW, 3 August 2016 The Painted Ladies: Selection from the loner , Tanks Arts Centre, Edge Hill, QLD, 13 March 2015 The Painted Ladies: Selection from the loner , Plus One Records , Greenslopes, QLD, 19 February 2015 Stradbroke Dreamtime, Currumbin Beach, Gold Coast , QLD, 14 March 2014 Stradbroke Dreamtime, Queensland Performing Arts Centre (QPAC), South Brisbane, QLD, 12 June 2012 Yibiyung, Beckett Theatre @ CUB Malthouse, Southbank, VIC, 30 October 2008 Traditional Indigenous Dance, George Brown Darwin Botanic Gardens, Star Shell, The Gardens, NT, 16 August 2008 The Boong Dialogues, La Mama, Carlton, VIC, 14 November 2007 The Story of the Miracles at Cookie's Table, The Butter Factory Theatre, Wodonga, VIC, 25 September 2007 As You Like It, Belvoir St Theatre, Surry Hills, NSW, June 1999 Retouched, Tandanya Theatre, Adelaide, SA, 3 March 1999 Radiance, Queensland, QLD, 10 April 1997 Radiance, Cremorne Theatre (1985- ), South Brisbane, QLD, 24 February 1997 Radiance, Belvoir St Theatre, Surry Hills, NSW, 21 September 1993 Pundulmura (Two Trees Together), Lennox Theatre, Parramatta, NSW, 28 January 1991 Pundulmura (Two Trees Together), Belvoir St Theatre, Surry Hills, NSW, 15 January 1991 Pundulmura, La Mama, Carlton, VIC, 11 July 1990 Byzantine Flowers, The Wharf Theatre, Sydney, NSW, 30 December 1989 Here Comes the Nigger, Black Theatre Arts and Culture Centre, Redfern, NSW, November 1976 Here Comes the Nigger, Black Theatre Arts and Culture Centre, Redfern, NSW, 29 October 1976 Mission - Urban Identity, Nindethana Theatre, Carlton, VIC, 1973 Basically Black, Nimrod Street Theatre, Darlinghurst, NSW, 27 October 1972 Jack Charles is Up and Fighting, Childers Street Hall, Acton, ACT, 7 April 1972 Jack Charles is Up and Fighting, University of Melbourne, Guild Theatre, The University of Melbourne (Parkville), VIC, 1972 The Cherry Pickers, The Mews Playhouse, Centennial Park, NSW, 1971
Resources	Article: Hilary Halba, Performing identity: teaching Bicultural Theatre in Aotearoa, Australasian Drama Studies, 57, October 2010, 22-37 Article: Ian Gaskell, Truth, identity and a sense of 'Pacificness', Australasian Drama Studies, 55, October 2009, 132-149 Article: Joanne Tompkins, History / history / histories: Resisting the binary in Aboriginal drama, Kunapipi, 15, 1, 1993, 6-14 Article: Karen Kaine-Jones, Contemporary Aboriginal drama, Southerly, 48, 4 (December), 1988, 432-444 Article: Kelly Rowett, Approaches to Aboriginal drama, Antipodes, 7, 1 (June), 1993, 27-32 Article: Lynette Russell, Borrowed dances: appropriation, authenticity and performing 'identity' in Prescott, Arizone, 1921-1990, Australasian Drama Studies, 59, October 2011, 39-52 Article: Maurie Scott, The new Aboriginal drama and its audience, Span, 30, April, 1990, 127-140 Article: Murray Edmond, Te Kaainga/Where the Fire Burns - Hone Kouka's Trilogy: Waiora, Homefires and The Prophet, Australasian Drama Studies, 50, April 2007, 91-110 Book: Adam Shoemaker, Swimming in the mainstream: Australian aboriginal and Canadian Indian drama, Sir Robert Menzies Centre for Australian Studies, Institute, London, 1990 Book: Hilary Glow, Katya Johanson, Your Genre Is Black: Indigenous Performing Arts and Policy, Currency House, Strawberry Hills, N.S.W., 2009 Journal: Denise Wilson, Karilyn Brown, Liza-Mare Syron, Tandi Palmer Williams, Engaging with local first nations communities through the performing arts, Australasian Drama Studies, 73, October 2018, 69-100 Journal: Hone Kouka, The Whanau we have always had: The future is indigenous, Australasian Drama Studies, 73, October 2018, 306-314 Journal: Liza-Mare Syron, Maryrose Casey, Nicola Hyland, 'Turangawaewae': A place to stand in contemporary indigenous performance in Australasia and beyond, Australasian Drama Studies, 73, October 2018, 1-16 Journal: Liza-Mare Syron, Transnational connections: First nations conversations through making performance, Australasian Drama Studies, 73, October 2018, 108-129 Journal: Luke Forbes, Choreographed pasts: A historiographic inquiry into Australian and indigenous Australian concert dance, Australasian Drama Studies, 73, October 2018, 237-275
Subject Identifier	505

Researching Australian live performance