| Zeb: A Gender Odyssey | ||||||||||||||||||||||||||
| Venue | Theatre Royal, Backspace (1984-2018), Hobart, TAS | |||||||||||||||||||||||||
| First Date | 13 July 2018 | |||||||||||||||||||||||||
| Last Date | 21 July 2018 | |||||||||||||||||||||||||
| Dates Estimated | No | |||||||||||||||||||||||||
| Status | Professional | |||||||||||||||||||||||||
| World Premiere | Yes | |||||||||||||||||||||||||
| Description | If you’re not sure if you’re a man, or a woman, how do you survive when the world expects you to tick just one box?
Based on truth, A Gender Odyssey is a surprisingly emotional cabaret. Performing with glamour and style, Hera Fox sits elegantly on the tipping point of perceived masculinity and femininity. After years serving in smelly old footwear, Hera, ‘retail assistant extraordinaire’, is promoted to homewares and is now a pillow and quilt expert. As well as selling soft furnishings, Hera collects crayons, auditions compulsively, loves clubbing and bright colours, and just wants to find where they belong… or escape into their favourite musical numbers for solace and reprieve. Using comedy and storytelling, and accompanied by the incredible Amanda Hodder on the piano, A Gender Odyssey is a heartfelt exploration of what it takes to thrive in a world defined by the expectations of others. Project Partners & Acknowledgements In 2016 Hera Fox pitched their idea for their first solo show Lipstick at the Performing Lines Tasmania (formerly Tasmania Performs) Annual Artist Residency. After the residency Lipstick was selected for the 2017 RAWspace program as part of Ten Days on the Island Festival and attended PACT Youth Theatre Queer Development program in Sydney. Hera worked with a local collaborative team in Melbourne to present the work at the Butterfly Club in September 2017 as part of Melbourne Fringe as Maybe This Time. During 2017 Performing Lines Tasmania supported Hera to work with Dramaturg Peter Matheson, Director Philip Channells and Designer Jill Munro as part of an intensive creative development and writing process for the 2018 season. |
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| Description Source | Website | |||||||||||||||||||||||||
| Primary Genre | Theatre - Spoken Word | |||||||||||||||||||||||||
| Subjects |
Gender
Gender fluid Gender roles |
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| Text Nationality | Australia | |||||||||||||||||||||||||
| Production Nationality | Australia | |||||||||||||||||||||||||
| Event Status | Completed | |||||||||||||||||||||||||
| Data Source |
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| Event Identifier | 213999 | |||||||||||||||||||||||||
| Dataset | AusStage | |||||||||||||||||||||||||
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