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John Hennings - Actor-Manager, Lessee, Scenic Artist
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 November 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 November 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
 Jagar - Costume Maker
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 November 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- The Queen of Beauty, Who Had a Fight With an Evil Genii, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 11 November 1861
 
 
 Scott - Mechanist
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- A Supper Gratis or, An Impudent Intruder, Theatre Royal, Melbourne, VIC, 15 July 1871
 
- The Octoroon / Old Gooseberry, Theatre Royal, Melbourne, VIC, 24 June 1871
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
R Stewart - Actor, Actor-Manager
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 November 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
George Fawcett - Actor, Actor-Manager, Adaptor, Lessee, Playwright
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- Van Diemen's Land in 1820, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 20 January 1862
 
- Harlequin Mother Hubbard and Puss in Boots, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1861
 
- The Queen of Beauty, Who Had a Fight With an Evil Genii, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 11 November 1861
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
- Endymion, The Naughty Boy Who Cried for the Moon, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 17 June 1861
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
- Jack the Giant Killer , Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1860
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
 
J R Greville - Actor, Director, Stage Manager
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- The Octoroon / Old Gooseberry, Theatre Royal, Melbourne, VIC, 24 June 1871
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- The Octoroon / Old Gooseberry, Theatre Royal, Melbourne, VIC, 24 June 1871
 
 
B Levy - Musical Arranger, Orchestral Leader
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
 Liddle - Scenic Artist
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
 Charles - Properties Master
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Van Diemen's Land in 1820, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 20 January 1862
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
- Endymion, The Naughty Boy Who Cried for the Moon, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 17 June 1861
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- Crohoore Na Bilhoge or, The Pride of Clarah, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 30 March 1867
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
Rose Edouin - Actor, Assistant Director
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
- Our National Defences or, The Cockshot Volunteers, Olympic Theatre, Melbourne, VIC, 8 August 1859
 
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- Van Diemen's Land in 1820, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 20 January 1862
 
- Harlequin Mother Hubbard and Puss in Boots, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1861
 
- The Queen of Beauty, Who Had a Fight With an Evil Genii, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 11 November 1861
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
- Endymion, The Naughty Boy Who Cried for the Moon, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 17 June 1861
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
 
 Siede - Composer
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
C Vincent - Lessee, Stage Manager
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 7 August 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 6 March 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 1 February 1869
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 12 December 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 18 August 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 25 May 1868
 
- Paris the Prince and Helen the Fair or, The Giant Horse and the Seige of Troy, Theatre Royal, Melbourne, VIC, 11 April 1868
 
 
Frederick Coppin - Composer, Mechanist, Musical Advisor, Musical Arranger
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
 
Herr Cushla - Lighting Operator/Technician, Properties Master, Properties Master/Mistress, Unknown
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Crohoore Na Bilhoge or, The Pride of Clarah, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 30 March 1867
 
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
- Endymion, The Naughty Boy Who Cried for the Moon, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 17 June 1861
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
 
Richard Stewart - Actor, Actor-Manager, Lessee
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- A Supper Gratis or, An Impudent Intruder, Theatre Royal, Melbourne, VIC, 15 July 1871
 
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- The Octoroon / Old Gooseberry, Theatre Royal, Melbourne, VIC, 24 June 1871
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
 Schmidt - Actor, Choreographer, Dancer
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Cupid and Zephyr or Princes Gay and Handsome, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 1 April 1861
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
 
- Van Diemen's Land in 1820, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 20 January 1862
 
- Harlequin Mother Hubbard and Puss in Boots, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1861
 
- The Queen of Beauty, Who Had a Fight With an Evil Genii, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 11 November 1861
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
- Endymion, The Naughty Boy Who Cried for the Moon, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 17 June 1861
 
 
 Tannett - Actor, Scenic Artist
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
- Harlequin Mother Hubbard and Puss in Boots, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1861
 
- The Queen of Beauty, Who Had a Fight With an Evil Genii, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 11 November 1861
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
John Bryan - Actor-Manager, Musical Arranger
- Crohoore Na Bilhoge or, The Pride of Clarah, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 30 March 1867
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
- Theseus and Ariadne or, The Marriage of Bacchus, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 16 February 1863
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
Samuel Lazar - Actor, Entrepreneur, Lessee
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 August 1869
 
- Catching a Conspirator, Theatre Royal, Melbourne, VIC, 28 November 1868
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
- Crohoore Na Bilhoge or, The Pride of Clarah, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 30 March 1867
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
- Our National Defences or, The Cockshot Volunteers, Olympic Theatre, Melbourne, VIC, 8 August 1859
 
- The Bunyip, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 27 October 1858
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Jack the Giant Killer , Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1860
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Harlequin Mother Hubbard and Puss in Boots, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1861
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Caste / Black-Eyed Susan; or the Little Bill that was Taken Up, Theatre Royal (1868-1962), Adelaide, SA, 18 November 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
 
John L Hall - Actor, Actor-Manager, Adaptor, Lessee
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- Peacock's Feathers, Theatre Royal, Melbourne, VIC, 23 September 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- Leah the Forsaken / The Bonnie Fishwife, Theatre Royal, Melbourne, VIC, 3 August 1868
 
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
 Little - Actor, Scenic Artist
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Oliver Twist, Theatre Royal, Melbourne, VIC, 11 May 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
- What a Man May Suffer in Victoria, Theatre Royal, Melbourne, VIC, 31 October 1856
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
- The Lady Belle-Belle; or Harlequin Fortunio and the Seven Champion Magic, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 26 December 1866
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
- Our National Defences or, The Cockshot Volunteers, Olympic Theatre, Melbourne, VIC, 8 August 1859
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
 Bartolomeotti - Costume Co-ordinator, Costume Maker
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Jack and The Beanstalk or Harlequin Nursery Rhymes and the Pranks of the Good Little People , Theatre Royal, Melbourne, VIC, 26 December 1871
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Crohoore Na Bilhoge or, The Pride of Clarah, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 30 March 1867
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
 
Edward McLean - Actor, Dancer, Movement Director
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Benefit of Mr T. G. Drummond, Theatre Royal, Hobart, TAS, 4 November 1857
 
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- Ixion or, The Man at the Wheel, Theatre Royal, Melbourne, VIC, 9 September 1871
 
- King Arthur or, Launcelot the Loose, Gin-ever the Square, and the Knights of the Round Table and Other Furniture, Theatre Royal, Melbourne, VIC, 31 October 1868
 
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
E B Russell - Actor, Clown, Stage Director
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 2 February 1860
 
- The Discreet Princess or, Harlequin Mother Goose and the Three Glass Distaffs, Royal Pantheon Cremorne Gardens, Richmond, VIC, 26 December 1859
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Humpty Dumpty, Who Sat on a Wall or Harlequin King Arthur, Theatre Royal, Melbourne, VIC, 28 December 1874
 
- Riquet with the Tuft; or, Harequin Old Mother Shipton, The Silver Champions and Darwin's Genealogical Tree, Theatre Royal, Melbourne, VIC, 26 December 1872
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 25 March 1869
 
- Harlequin Robinson Crusoe or, The Nimble Naiad, The Lonely Squatter and the Lively Aboriginal, Theatre Royal, Melbourne, VIC, 24 December 1868
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Beauty and the Beast, or Harlequin King Glorio the Millionth, the Island of Apes, and the Fairies of the Magic Roses, Theatre Royal (1875-1972), Sydney, NSW, 27 December 1875
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Ixion or, The Man at the Wheel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 22 September 1866
 
- Faust D.D.D or, The Demon the Doctor and the Damsel, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 15 September 1866
 
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 11 October 1859
 
- Ivanhoe, Olympic Theatre, Melbourne, VIC, 26 September 1859
 
 
J H Allen - Actor, Actor-Manager, Director, Lessee
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
 
 Croncher - Costume Co-ordinator
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Bunyip, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 27 October 1858
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
W Gardiner - Properties Master/Mistress
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
 Gluche - Properties Master/Mistress
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
 Goulding - Lighting Designer
- The Bunyip, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 27 October 1858
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Our Boys, Theatre Royal (1875-1972), Sydney, NSW, 12 February 1876
 
 
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
M Massartic - Actor, Choreographer
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
J McLean - Ballet Master/Mistress
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
 Murphy - Scenic Artist
- The Tower of London, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 6 October 1863
 
 
 Ray - Actor
- Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
- Daisy Farm, Theatre Royal (1875-1972), Sydney, NSW, 11 December 1875
 
 
E Vinson - Properties Master
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			In my last article I made mention of Miss Julia Harland, her father, Mr. Wallack, and her husband, Mr. William Hoskins— a splendid dramatic and musical trio. The former died on August 19,1872, while her husband was touring New Zealand with Miss Florence Colville, whom he subsequently married. Miss Julia Harland was descended from a family highly honored and respected in the dramatic world. Her father, Mr. John Henry Wallack, visited Australia, on pleasure bent, in 1862, and appeared on the occasion of Lady Don's benefit at the Theatre Royal, Melbourne, as Sir Anthony Absolute, but increasing years and defective memory prevented his reappearance. He was a very gentlemanly actor of the old school. His elder son was, in his time, the best Don Caesar de Bazan; and the younger son, J . W. Wallack, had made a name for himself on the American stage.
  Miss Julia Harland made her mark in English opera many years before she came to the colonies, when she succeeded Madame Anna Hilton at the Princess' Theatre, London, as prima donna of the English Opera Company, then under J. M. Maddox, a somewhat eccentric manager, whom London 'Punch' is said to have dubbed 'King Maddox.' In that company, with Donald King, Leffler, H. Horncastle, and Allen, she became the operatic star of London. Some time after this she accepted an engagement with Thomas Rouse, known in pit and gallery as 'Bravo Rouse,' succeeding Miss Annetta Mears at the Grecian Saloon, City-road, London. During her stay at this house, under the conductorship of Mr. B. Isaacson, her splendid talents, as one critic tells us, brought the little theatre into notoriety and nightly filled the coffers, much to the gratification of the manager. One of the best operatic companies then obtainable was engaged to support Miss Harland. There was a Mr. Fraser, described as a very able tenor, who died in America; Mr. Charles Horn, a son of an eminent composer, a baritone from the English Opera House named Baldwin, Mr. Eaton O'Donnell, Mr. H. Horncastle, Mr. Patrick Corri, son of Hadyn Corri, of Dublin, and brother of Mrs. Frederick Younge, the eminent comedienne, so well known in Australia in the fifties and sixties. Then there were the sisters M. A. and Emma Crisp, a Miss Johnstone, Mr. R. Phillips, and Mr. Campbell, father-in-law of John Dunn, a comedian who flourished in Melbourne in the fifties, sixties end seventies. His correct name Was John Benjamin Donohoe, and two of his daughters, Miss Rosa Dunn, now Mrs. L. L. Lewis, and Miss Marion Dunn, now Mrs. Marcus Clark, widow of the journalist and novelist, are well known to Australian readers. Of the Dunn family I shall have something to say at another time. With the company supporting Miss Harland was the eminent comedian Fred Robson, better known as Little Robson, A goodly company truly. After severing her connection with the Grecian Theatre. Miss Harland appeared at several of the principal theatres in opera. In 1856, in company with her husband, William Hoskins, Walter Sherwin, Linley Norman, and the basso Farquharson, she left London for Australia, arriving in Melbourne in August of the same year, and announcing themselves as the English Opera Company. Miss Julia Harland made her first appearance in Melbourne on September 1, as Lucia, in "The Bride of Lammermoor," Mr. Hoskins appearing the same evening in the farce a "Fast Train — High Pressure Express," as Jack Delaware. The company was successful throughout the colonies, Miss Harland's talents, being every where appreciated. In 1859 she joined the Opera Company at the Princess' Theatre, and in conjunction with Madame Carandini, Messrs. Laglaise, Emile Coulon, Schultz, John Gregg, and others, appeared in "II Trovatore," its first production in the Australian colonies— Miss Harland in the character of the gipsy Azucena, which was universally acknowledged to be a triumphant and thoroughly artistic performance. On the retirement of Mr. Hoskins from management in Melbourne, and during his absence from the city, Mrs. Hoskins had lived in complete retirement, and for some weeks before her death suffered severely from dropsy. In private life Mrs. Hoskins was highly esteemed. Her brother-in-law, H. H. Hoskins, a solicitor, and that genial actress, Mrs. Alfred Phillips, were with her in her last moments.
  Mr. William Hoskins was the son of Abraham Hoskins, gentleman, of Newton Park, Burton-upon-Trent, Staffordshire, England, and was born February 17, 1816. He was first educated at the Grammar School, Burton-upon-Trent, where his uncle. Rev. Hugh Jones was headmaster. From this school he went to Trinity College, Cambridge, being intended for one of the liberal professions, but, refusing to study for the church, was articled to a solicitor at Birmingham. His stage fever began at the early age of 10 years, after witnessing a performance of the Stanton Company, whose performances were given in a large malt house attached to Mr. Newman's Blue Stoop Hotel, Burton. The idea of being an actor never left him, and one day he threw up his articles and bolted for London, where, at the Pantheon Theatre, he paid 10s for the privilege of playing Antonio in "The Merchant of Venice." He had resolved, however, to be a leader or nothing, and paid three guineas to play Hamlet, and Slasher in "P.P., or the Man and the Tiger." He made his first professional appearance as Icilius in "Virginius" with Messrs. Macsfield and Kelly in Southampton. During this engagement his father forgave what he considered his son's folly and supplied him with money to become a lessee; but, the speculation failing, he took on engagement with Manager Smith, of the Norwich Circuit, playing alternate nights with G . V . Brooke. Hoskins was the original Cardinal Richelieu in Bulwer's play of that name, a part played by him in 1840 for 101 nights. In 1843 he opened at Covent Garden, succeeding Jas. Anderson as Charles Courtley , in "London Assurance." (Imagine the ponderous Anderson as Charles Courtley!) It was during this engagement that Mr. Hoskins discovered that his forte was comedy, not tragedy. Many other actors had ideas of tragedy when they were genuine comedians, Leston and little Robson being cases in point. Next he went to Manchester, under Mr. John Knowles, and from there was en gaged by Mr. Greenwood, partner of Mr. Samuel Phelps, of Sadlers Wells, opening at that theatre in 1846 in the two act comedy, "Naval Engagements," in which 'old Lambert' made such a hit years after in Melbourne. His first great London hit was as Lucio in ''Measure for Measure." From Sadlers Wells, in 1851-52, he joined Mr. E. T. Smith (father, of Dr. L. L. Smith, of Melbourne) as manager and principal comedian, at Drury Lane, thence to the Olympic, with Mr. William Farren in a similar capacity, He then returned to Mr. Phelps, and from Sadlers Wells he came to Australia. He held an indisputably first place in these colonies; in every principal theatre in Sydney, Melbourne, and New Zealand he has been leading comedian and manager.
  In December 1884, at the age of 68 years, Mr Hoskins took his farewell of the stage at the Theatre Royal, Melbourne. The piece chosen was the old comedy, "The Heir at Law," in which the veteran actor had won laurels in the past. Mr. Hoskins was, of course, the Dr. Pangloss, LL.D., A.S.S. The play is now obsolete, but full of good materials, and every character in it requires an actor. Mr. Redwood was the Lord Duberly, a character connected in my memory with Rogers and Lambert, and it will take a very great actor to efface their memories. Titheradge was Dick Dowlas; Richard Stewart, as Zekiel; J. R. Creville, Kenrick; Herbert Fleming, as Steadfast; Mrs. Chippendale, as Lady Duberly; Jenny Watt Tanner, as Caroline Dormer; and our not-yet-forgotten favorite Myra Kemble, as Cicily. A grand cast! The old Royal was crowded, and at the conclusion of the play Mr. Hoskins, in evening costume, delivered his farewell address. It was an instructive history of the stage, and few actors were more capable of handling such a subject as was William Hoskins. At the conclusion of his address the scene opened and disclosed the stage full of people, actors, musicians, Bohemians, personal and professional friends, headed by Mr. George Coppin, who was spokesman for the crowd. Mr. Coppin, who could (and can) be serious when he pleased, was humorous and sentimental by turns. He recalled the days when he and Hoskins were boys together, "when the stage and all associated with it were so different from what it is now, and maybe so much better." At the end of Mr. Coppin's pleasant speech, he handed Mr. Hoskins a purse of 50 sovereigns, for which useful gift the recipient expressed his warm thanks. In this connection it may be mentioned that to Mr. Hoskins Sir Henry Irving is indebted for much good tuition when the now stage leader was a novice, and Irving did not forget his old tutor on the occasion of his fare well benefit. He sent a drat for £100 to swell the fund. And thus Mr. Hoskins pleasantly and regretfully bade fare well to stage life, though I think he had taken some pupils to coach up in the profession.
  The career of Mr. Hoskins under the Southern Cross was a varied one, and in a monetary sense not a success. Though a great actor, there was a want of stability about the man which prevented the accumulation of money. Though a lessee and manager on several occasions in various cities, none of the gold ever clung to his finger's. He was as much a failure, as a business man, as was G. V. Brooke; few actor-managers are successful that way. While Hoskins was lessee of the Melbourne Royal, he entered into a verbal agreement with Walter Montgomery to play a season in Melbourne. Montgomery was then in Sydney, and was to sign the agreement on arrival at Melbourne. In those days Mathew Henry Taylor shared with Tom Pavey the legal business of the theatrical profession. Tom was solicitor for Hoskins, and Taylor for Montgomery. Mr. Taylor had been in partnership with John Baxter Bennett, who never did anything shady, but the partnership had been dissolved, and Taylor was on his own. On arrival at Melbourne, Montgomery wished to give a series of readings at St George's Hall, for his own benefit. To this Hoskins objected, naturally thinking that the readings would injure the subsequent theatrical season; and St. George's Hall being next door to the Theatre Royal, the Montgomery readings would attract the public and injure the ordinary business at the theatre. Hoskins declined to sanction the readings, and Montgomery consulted Taylor as to how far he was tied to Hoskins under the verbal agreement. It is a standing joke that no man should sign a verbal agreement; but to get rid of Mr. Montgomery's verbal agreement, much correspondence ensued. Montgomery (per Taylor) wrote that unless readings were to be given and take precedence of the season at the Royal, Montgomery would not complete the agreement. "And this," wrote Taylor, "is Mr. Montgomery's ultimatum." As Hoskins said, he might just as well have sent his pomatum. Hoskins would not agree to the readings, and Montgomery broke his word as to the engagement. It was, of course, a serious loss to Hoskins, as Montgomery always drew crowded houses. That, however, is only one instance of want of business tact: there were many others.
  In Sydney, Mr. Hoskins came across Miss Florence Colville, then under the alleged protection of a certain sporting butcher, who is still with us. Mr. Hoskins saw the germs of dramatic talent in the lady, and induced her to adopt the stage as a profession, a better one than "that other." The gay Lothario was, like Barkis, willing, and the lady toured with Hoskins during the lifetime of Julia Harland, and he eventually married her. On her death he married a Miss Bowman, a daughter, I think, of G. V. Brooke's old friend and supporter, Dr. Bowman, of Russell-street, Melbourne. Summed up, this may be said to have been Hoskins' Australian career. He landed in 1856, and made his first appearance at the old Queen's, in Melbourne. He became manager of the Ballarat Theatre in 1858, and of the Theatre Royal, Melbourne, in 1863. He subsequently managed the Haymarket Theatre, Melbourne, and rebuilt the Theatre Royal at Christchurch. From 1884— his big benefit— until his death on September 28, 1886, he was a teacher of elocution in Melbourne.
  John Benjamin Dunn (family name Donohoe, mentioned above) was an old London actor of vast experience, who had served articles, as it were, under W. C. Macready and other eminent actors. He first came into note in London, when the singer and dancer Rice, known as 'Jim Crow' Rice, came from America and took the Big Smoke by storm with his American eccentricities. "Wheel about and turn about and do just so; Wheel about and turn about, and jump Jim Crow," accompanying the song with a dance and a jump. To counteract the attraction John Dunn was put forward as the English Jim Crow, and succeeded. He came from California to Melbourne in 1855 with his family, one daughter (Rose) being on the stage. Miss Dunn became an especial favorite, and in a long season at the Princess' in the early sixties established herself in the good opinion of the Melbourne public. When George Fawcett Rowe was dramatizing Dickens, Miss Dunn's impersonations were a feature in the plays, notably Barnaby in 'Barnaby Rudge.' Miss Dunn, however, was not an enthusiast in stage matters, and when Mr. L. L. Lewis, an eminent amateur musician, and in a good commercial position, 'came along' Miss Dunn embraced the opportunity and became Mrs. Lewis, in which capacity she has enjoyed a happy life, and at one time used to come from her retirement at St. Kilda and assist at swell readings in the aristocratic suburb. The other daughter, Marion, made her first appearance in Melbourne at a time when Docy, Maggie and Nellie Stewart were budding. Miss Marion Dunn married Marcus Clark; he dying early, left the little lady with a large little family, for whom she has bravely battled and won. John Dunn, the father, may be said to have died upon the stage. After a performance, in August 1875, he fell dead on his own doorstep in Fitzroy. John, notwithstanding a certain - amount of Bohemianism, was careful of the pence, and left his widow the solid consolation of a couple of thousands of pounds sterling. There was a son, a good-looking lad, who tried the stage and failed. The talent went with the daughters. The mother was not an actress, but she was a splendid housekeeper and managed her four-in-hand team splendidly.
  (To be continued.)
 
  
		       
		      
		     
	
		   
		 
      
      	
       Article:  Joseph Michael Forde, ANNALS OF THE TURF AND OTHER PASTIMES. In New South Wales and Elsewhere.  No. LXII	, Sydney Sportsman, 20 July 1904 
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			Mr. George Coppin's controversy with John Henry Thomas Manners-Sutton, Viscount Canterbury and Governor of Victoria 1866-1873, clearly proved that some Vice-Regal people were afflicted with very bad memories, or something worse. In the very early seventies Mr. Coppin founded an institution known as THE DRAMATIC ASSOCIATION which had a council to direct its affairs, and kept a minute-book with commendable regularity. The first hint the newspapers got of there being trouble about Vice-Regal dead heads was through the 'Age' of December 21, 1871, in which the proceedings of the council of the Australasian Dramatic, Operatic, Musical and Equestrian Association — comprehensible enough in all conscience — were reported. Amongst the business transacted there was a resolution, carried unanimously: 'That as his Excellency Lord Viscount Canterbury and suite patronise public entertainments upon the free list, an application should be sent to all managers from this association to discontinue a practice so unprofitable to the profession, and so undignified for the representative of her Most Gracious Majesty the Queen.'
 The 'Age' newspaper was evidently read at the gubernatorial breakfast table, as under date December 21, Lieutenant J. S. Rothwell, private secretary, writes: 'George Coppin, Esq., Chairman of the Council Australasian Dramatic, etc., Association,' thus:
 'Sir— His Excellency, Viscount Canterbury has observed, in the report (in the 'Age' of this morning's issue) of the proceedings yesterday of the Australasian Dramatic, Operatic, Musical and Equestrian Association presided over by you, the announcement that the council has adopted a resolution, of which the following passage is the commencement: 'That his Excellency the Governor of Victoria, Lord Viscount Canterbury and suite, patronise public entertainments upon the free list, etc.'
 'With reference to the assertion contained in this passage, Viscount Canterbury instructs me to state that if it should be intended to convey the inference that his Excellency is, or has been, in the habit of being present at dramatic, operatic, musical or equestrian entertainments without payment, that inference would be directly contrary to the facts of the case.
 'It is, indeed, a fact that his Excellency's attendance at entertainments of this character has generally been at the request of managers, and it is also true that he has frequently attended them at considerable inconvenience to himself, but he is not aware of a single instance in which he has not paid for the seats which he has occupied; and if you should have any claim which, through inadvertence on my part, remains unsatisfied, against his Excellency for seats occupied by him at your theatres: or if there should be any manager among those with the council of which you are the president who has entered, or is about to enter, into communication, in accordance with the resolution to which I have referred, who has not been paid for the seats occupied by his Excellency at the dramatic, operatic, musical or equestrian establishment under his control, I shall esteem it a favor if the account should be sent to me, in order that it may be examined, and, if found correct, paid.'
 To this very formal communication Mr. Coppin replied, in an equally formal manner :-
 'Sir, —I have the honor to acknowledge the receipt of your letter of December 23 (sic) at 10.30 on Saturday night.
 'In reply I most respectfully decline to furnish an account in order that it paid. The old established rule of my profession will not permit me to acknowledge debtors for admission to the theatre.'
 Lieutenant Rothwell came again : —
 'Sir,— I have laid before his Excellency Viscount Canterbury your letter of the 26th instant, which only reached me this morning (December 28), in which you have refused, for a reason alleged therein, to state the instances, if any, in which seats occupied at any time by his Excellency at any theatre under your management have not been paid for.
 'His Excellency has instructed me to refrain from making any comment on this refusal, and I am to inform you that any correspondence with you on this subject is now closed.'
 There were other letters, but those quoted contain the germ. The Melbourne press naturally sided with Government House as against the player, and that without hearing any reason from Mr. Coppin. The 'Australasian' was particularly severe, and extremely unjust, in its criticism of the action of the Dramatic Association. It heaped upon the devoted head of Coppin all the obloquy it could. The papers, the 'Argus' especially, believed Lieutenant Rothwell's assertion, and in fact, told George Coppin that he was a liar — if not in as many words, at least by strong inference. Thus the 'Australasian' :— 'That Association has been blamed for adapting an insolent and insulting resolution; and what says Mr. Coppin? His Excellency ought to pay for admission to the theatres. Very well. We are assured on excellent authority that Viscount Canterbury does so. When the Governor attends the Theatre Royal a cheque for the admissions is sent to the management next morning by the aide-de-camp. What becomes, then, of all this offensive talk about the free list? Mr. Coppin and his friends have made a great mistake, and have committed a glaring breach of good taste and propriety; but instead of contritely acknowledging their error and making a frank apology, they attempt to explain and justify their misconduct, and they fail signally. They should remember that the Melbourne public of 1871 is not the Melbourne public of 1855. Any sort of managerial flummery would go down at the earlier epoch. 'We have changed all that.' Mr. Coppin has done good service to the drama in days gone by, and we cheerfully acknowledge it ; but he is incapable of reading the signs of the times. 'Dodges' are out of date, and playgoers are beginning to understand that charitable benefits— especially when given on the worst night in the week, or the year— are mere devices to enable the manager to pull in sufficient people to pay the usual expense of the house, which, under ordinary circumstances, would not have been covered; while as regards the deduction made on that account before any surplus is handed over to the charity to be benefited, it is very well known that the expenses are down at 50 percent, higher than they actually are, the plausible excuse being that a charitable performance has the effect of lessening the average attendance on the night before and the night after it takes place. When David Garrick, being then manager of Drury Lane Theatre, gave a benefit for the theatrical fund instituted in connection with that establishment, he handed over the gross receipts of the house to that fund without deductions of any kind. He did the same when Mrs. Gibbes took a benefit on the 10th of March, 1754 and also on November 11, 1753, when the performances were, 'on behalf of a gentleman with a very large family.' This was true charity, but, so far as our recollections of Garrick's voluminous published correspondence serves us, he never boasted of it; and never traded upon it.
 But then Garrick was a gentleman.'
 OI course the sting of the article is in its tail, but the 'Australasian' scribe was a bit previous. George Coppin was the last man in the world to allow his 'bone to go with the dog,' and the Dramatic Association loyally backed him up. The 'Daily Telegraph' (Melbourne), in its issue of December 29, said: 'It is a very remarkable correspondence, and it has this outcome: If Viscount Canterbury is not the biggest of falsehood mongers, Mr. Coppin is the meanest. There is no escape from that very unpleasant dilemma. We shall all be agreed on the point that one or the other — the Governor or the manager ought to be hissed out of the theatre the next time he appears there.'
 The Dramatic Association appointed a sub-committee to investigate the whole matter, and from the tenor of its report one can imagine that the snuff-taking, port-wine-loving Viscount Canterbury would wish that he had taken no public notice of the resolution passed by the A.D.O.M. and E. A., but had let sleeping dogs lie. On Wednesday, January 3, 1872, the council met at St. George's Hall, when there were present— George Coppin (in the chair), James Simmonds (sec.), R. Stewart, William Pitt, J. H. Wilton, Richard Capper, Fred. Coppin, G. Seide, J. R. Greville, John Hennings, R. Scott, W. Holmes, G. Chapman, and John Dunn. Amongst other business done was the election of Martin Simonsen and Enderby Jackson as governors. Miss Lizzie Watson was also elected to a similar position ; and Mr. J. H.Wilton was transferred from membership to governorship. Mr. Edward Gladstone and Mr. James Alison were elected members. Amongst the subscriptions acknowledged were 10 guineas from Spiers and Pond, London ; a guinea from Dan Melhado, Sydney; and a guinea from Tommy Trotter, of whom more at another time.
 Lieutenant Rothwell's letter was read, and Mr. Coppin entered into an explanation of the correspondence which had passed between him and the Lieutenant. Mr. Coppin explained that he refused to furnish an account on several grounds. Theatrical management was a ready money business. No one whatever could pass a check-taker without first purchasing his ticket of admission, with the exception of those who received the compliment of being placed upon the free list, ‘a compliment, by the way, which was not practised by any other trade or profession but theirs. Etiquette opened the doors of a of place of public amusement, without demanding a ticket, to the representative of her Majesty, and in return, custom dictated the presentation of a cheque to the management with as little delay as possible, the amount of that cheque being generally regulated by the liberality of the Governor and the amount he received from the public purse by way of salary. Lord Canterbury had neglected to carry out that principle, and he (Mr. Coppin) could but think that the omission on the part of the Governor was not at all in accordance with the dignity we had a right to expect from a well-paid representative of Royalty.’
 The meeting passed a resolution confirming Mr. Coppin's action, and appointed a committee of three— Messrs. Wilton, Capper and Simmonds — to report upon the matter in dispute. At the following meeting the committee brought up its report. The document placed Lord Canterbury and his private secretary in a somewhat unenviable position. The committee presented a few cases which were indisputably shown to be glaringly inconsistent with Rothwell's assertion. 'Visits of his Excellency the Governor to the Theatre Royal, Melbourne, upon which occasions no payments have been made : 1867 — August 21, command, no payment. 1868 — January 13, patronage, no payment; November 23, command, no payment; 1869— January 4, command, no payment; May 1, command, no payment; May 27, patronage, no payment (Note A); October 28, command, no payment. 1870 — May 14, command, no payment. About this time it appeared that the acting manager instructed the box-bookkeeper to make out an account against the Governor. He also informed his partners that he had spoken to Lieutenant Rothwell for the purpose of obtaining payments. No notice, as yet, has been taken of the communication. June 30, command; December 13, patronage. The sum of £3 15s has been paid for the last two visits, at the rate of 5s per ticket for the centre box, the established price being 7s 6d per ticket. Authenticated by the account books of the theatre and the statements of the treasurer.
 'Theatre Royal, Haymarket : 1867—January 11, command, no payment; August 10, command, no payment. The absence of the manager leaves a blank of three years. 1870 — November 4, command, no payment; November 9, patronage, no payment (Note B). Authenticated by the accounts of the theatre and the treasurer.
 'St. George's Hall (Weston and Hussey): 1869 — June 23, command, no payment; July 23, command, no payment. Authenticated by the books and the statements of the managers.
 'Town Hall, Melbourne : 1871— May 13, benefit concert, patronage, no payment (Note C).
 'Note A. — Your committee consider that this night had special claims upon the Governor's purse. The entertainments were given by the Foresters' Society, for the benefit of the Melbourne Hospital and the Benevolent Asylum. The printed accounts show 'no payment' for the Gubernatorial party.
 'Note B. — Your committee report these two occasions as 'no payment' because the manager did not participate in the amount that his Excellency presented to the official assignee of an insolvent estate nearly three years old. If the Governor had paid for his boxes within a reasonable time, the manager would have received the share he paid to the 'star,' and the proportion to which he was justly entitled for providing the entertainment.'
 In other words, the Governor, Viscount Canterbury, only paid for the boxes when, three years afterwards, the official assignee in the estate of the insolvent manager was collecting the debts due, and furnished his Excellency with an account of the amount of his indebtedness.
 'Note C. — This is a special case for notice, as the benefit was given to relieve a talented artist from pressing difficulties and to provide funds for his passage to England. The accounts and statements of members of the managing committee prove 'no payment.' The above facts are sufficient to prove the general correctness of the resolution, and the consequent inaccuracy of the statement contained in the letter of the private secretary. Your committee are not in a position to show that his Excellency attended operatic entertainments without paying for admission, as the leading operatic managers are absent from the colony, but inasmuch as they are aware that those managers frequently, and most publicly, complained of this being the case, they can hardly suppose that they would do so without adequate cause. Your committee may further refer to the correspondence of a late manager of the Haymarket Theatre, which has been published in a Melbourne newspaper, in support of the allegation, contained in the resolution. The manager, in question had literally to 'dun' the private secretary before he could obtain any answers to his letters or an acknowledgment of his claim, and at last reaped scarcely any personal advantage from his persistency. The nights upon which his Excellency, the Governor visited the places of amusement free, in company, with his Royal Highness the Duke of Edinburgh have been struck out of the list's that have been produced, as your committee acknowledge with gratitude the patronage and assistance given by his Royal Highness to the Galatea amateur performances contributed £120 11s. 6d. to the building fund of the Asylum of Decayed Actors, established by the Hon. George Coppin. Your committee, in conclusion, report that the terms of the resolution are fully borne out by the facts.— Richard Capper, chairman of the committee.
 (To be continued.)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
		       
		      
		     
	
		   
		 
      
      	
       Article:  Joseph Michael Forde, ANNALS OF THE TURF AND OTHER PASTIMES. In New South Wales and Elsewhere. NO. LXXIV., Sydney Sportsman, 12 October 1904, 3 
             
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