AusStage

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Subject	Canada
Events	The Ptarmigan Man, Peacock Theatre, Hobart, TAS, 22 March 1985 Going Home, St Martins Theatre, South Yarra, VIC, 9 March 1976
Resources	Article: Alan Filewod, The comintern and the canon: Workers' Theatre, Eight Men Speak and the genealogy of mise-en-scene, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 17 - 31 Article: Ann Wilson, Boarder crossing: the technologies of identity in Fronteras Americanas, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 7 - 15 Article: Craig Walker, James Reaney's The Donnellys and the recovery of 'the ceremony of innocence', Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 188 - 196 Article: Ed Nyman, Out with the queers: moral triage and George F. Walker's Theatre of the Film Noir, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 57 - 65 Article: Helene Beauchamp, Of desire, freedom, commitment and mise en scene as a very fine art: the work of the theatre director, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 155 - 167 Article: Jerry Wasserman, Confessions of a vile canonist: anthologising Canadian drama, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 197 - 205 Article: Joanne Tompkins, Canadian virtual realities: Canadian theatre and Australian theatre criticism, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 4 - 6 Article: Kym Bird, Leaping into the breeches: liberal feminism and cross-dressing in Sarah Ann Curzon's The Sweet Girl Graduate, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 168 - 179 Article: Marvin Gilman, Fennario and Ryga: Canadian political playwrights, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 180 - 187 Article: Natalie Rewa, Astrid Janson's designs for performance, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 85 - 98 Article: Richard Knowles, The theatre of form and the production of meaning: contemporary Canadian dramaturgies, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 43 - 56 Article: Sheila Rabillard, The seductions of theatricality: Mamet, Tremblay, and political drama, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 33 - 42 Book: Adam Shoemaker, Swimming in the mainstream: Australian aboriginal and Canadian Indian drama, Sir Robert Menzies Centre for Australian Studies, Institute, London, 1990 Book: Franca Bellarsi, Marc Maufort, Siting the other: re-visions of marginality in Australian and English-Canadian drama, Peter Lang, Bruxelles & New York, 2001 Interview Transcript: Denise Salter, Blood ... Sex ... Death ... Birth: Paula de Vasconcelos's Le Making of de macbeth: an interview, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 66 - 83 Journal: Australian & New Zealand Studies in Canada, Dept. of English, University of Western Ontario, London
Subject Identifier	616

Researching Australian live performance