AusStage

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Subject	War trauma
Events	The Face of Jizo, Reginald Theatre (Seymour Centre), Chippendale, NSW, 21 August 2025 Miss Saigon, Her Majesty's Theatre, Melbourne, VIC, 29 October 2023 My Sister Jill, Southbank Theatre, The Sumner, Southbank, VIC, 23 September 2023 Pilgrims, The Bakehouse Theatre, Adelaide, SA, 1 August 2019 LINES, The Bakehouse Theatre, Adelaide, SA, 24 October 2018 They Divided the Sky, Belvoir St Downstairs Theatre, Surry Hills, NSW, 13 June 2018 Between the Crosses, The Bakehouse Theatre, Adelaide, SA, 5 March 2018 Shell Shock, The Bakehouse Theatre, Adelaide, SA, 26 February 2018 In this Fairfield, Riverside Theatres, Parramatta, NSW, 18 March 2015 KaBooM: Stories From Distant Frontlines, fortyfivedownstairs, Melbourne, VIC, 10 April 2014 Michael James Manaia, fortyfivedownstairs, Melbourne, VIC, 12 October 2012 The Continuum: beyond the Killing Fields, Playhouse, Arts Centre Melbourne, Melbourne, VIC, 15 September 2010 The Promise, Belvoir St Theatre, Surry Hills, NSW, 16 July 2009 The Shoe-Horn Sonata, The Street Theatre, Acton, ACT, 23 April 1998 Barricades and Barbed Wire, Gasworks Main Theatre, Albert Park, VIC, 19 September 1996 Spitfire 1 2 3, Power Station, Melbourne, VIC, 10 April 1996 The Blue Hour, IRAA Theatre, Alphington, VIC, 19 March 1996 Doing the Block, Fairfax Studio, Melbourne, VIC, 20 May 1994 The Touch of Silk, Bryant's Playhouse (1932-1942), Darlinghurst, NSW, 27 May 1939 A Bill of Divorcement, St James' Hall (1887-1961), Sydney, NSW, 27 April 1939 Are You Ready, Comrade?, His Majesty's Theatre, Perth, WA, 8 October 1938 A Touch of Silk, ABC Radio, Melbourne - Russell Street studios, Melbourne, VIC, 21 April 1938 Reported Missing, Savoy Theatre, Sydney, NSW, 25 July 1935 The Toast is Anzac, Gentlemen, New South Wales Conservatorium of Music, Sydney, NSW, 24 April 1934 The Toast is Anzac, Gentlemen, New South Wales Conservatorium of Music, Sydney, NSW, 24 April 1933 A Bill of Divorcement, Prince of Wales Theatre, Hobart, TAS, 7 December 1927
Subject Identifier	1389

Researching Australian live performance