The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers

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Title The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers
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Abstract/Description This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, modernisation and progress, leaving the memories of the once popular travelling performers to linger in obscurity on the stage, immortalised on the back of the likewise forgotten stage doors. In this article, I animate some of the performers whose names are inscribed on the stage door through historical documents, juxtaposing the inscriptions with other forms of spontaneous mark-making such as rock art and graffiti to contextualise a cultural phenomenon. I also reflect on the fragility of some cultural heritage and the significance of small and modest sites such as the Hoyleton Institute Hall.
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Publisher Journal of Australian Studies
Publisher Location Taylor & Francis Online
Volume 47
Issue 3
Page 566-589
Date Issued 28 April 2023
Language English
Citation John A Hayward, The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers, Journal of Australian Studies, Taylor & Francis Online, 47, 3, 28 April 2023, 566-589
Data Set AusStage
Resource Identifier 79174