‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’

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Title ‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’
Creator Contributors
Abstract/Description Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck ‘after Ibsen’, co-written with Chris Ryan, in 2012. This article explores Stone’s imbrication in theatrical networks defined by Kosky and Andrews and the director as a relational phenomenon. It shifts analysis from the director as a singular subject to a network subject by deploying datasets held in AusStage.
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Publisher Contemporary Theatre Review, Taylor & Francis
Publisher Location Online
Volume 34
Issue 2024 - Issue 1: Simon Stone and Company
Page 10-34
Date Issued 22 July 2024
Language English
Citation Margaret Hamilton, ‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’, Contemporary Theatre Review, Taylor & Francis, Online, 34, 2024 - Issue 1: Simon Stone and Company, 22 July 2024, 10-34
Data Set AusStage
Resource Identifier 78958