Resource |
Text: Journal
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| Title |
'Namatjira': Beyond the script - visual and performative aesthetics as conduits for the communication of Western Aranda Ontology |
| Creator Contributors |
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| Abstract/Description |
This article explores the performative configuration and staging of a Western Aranda 'place to stand' in the inter-culturally produced biographical play 'Namatjira' (2010-13; written by Scott Rankin with and for the Namatjira Family). The author leverages her comprehensive insight into the play's devising and production processes, garnered from extended co-locations and touring with the producing company Big hART. She explores how both verbal and visual expression combine in the play to articulate a culturally coded Western Aranda worldview, ontology (theory of being-in-the-world) and identity. The critical elucidation of the postmodern frameworks that dominate the written script is juxtaposed with an analysis of the visual aesthetics of the play, which convey a distinctly Western Aranda perspective on Country, place-making and holding. The performative influence of these aesthetics is then illustrated in a comparison of three different stagings of 'Namatjira': a 'default' metropolitan staging; a full-scale open-air production for community on Country in the Hermannsburg Historic Precinct in 2012; and a staged play-reading at Parramatta Riverside Theatres in 2018 that aptly confirmed the significant bearing of visuality on the overall assertion of an Indigenous 'place to stand' in 'Namatjira'. |
| Related Works |
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| Source |
Australasian Drama Studies, ADSA, VIC
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| Issue |
73
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| Page |
130-159
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| Date Issued |
October 2018
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| Language |
English
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| ISSN |
0810-4123
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| Citation |
Susanne Thurow, 'Namatjira': Beyond the script - visual and performative aesthetics as conduits for the communication of Western Aranda Ontology, Australasian Drama Studies, 73, October 2018, 130-159
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| Data Set |
AusStage |
| Resource Identifier |
68790
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