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Its mounting may without any exaggeration be described as magnificent. The two act scenes, representing 'Castle Bunthorne' and a sylvan glade in its vicinity, were superb specimens of scenic art, and elicited deserved appause. The dresses were singularly rich, appropriate, and effeotive; the gorgeoua military uniforms of the twenty dragoons, the varied tints of the aesthetic costumes of the 'twenty love-sick maidens,' and the handsome velvet attire of the male aesthetics and their soldierly imitators, all combined to form a scene of brilliant colouring, striking contrasts, artistic and symmetrical groupings and graceful movements suoh as most assuredly has never before been witnessed on a Wellington stage. (Review).
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