Resource |
Text: Chapter
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| Title |
Relationality in First Nations Research and Performing Arts Practices |
| Creator Contributors |
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| Abstract/Description |
The academy has a legacy of unethical practice when researching First Nations communities (who I will also refer to as Mob) in so-called Australia, choosing a ‘research on’ as opposed to a ‘research with’ approach, removing any opportunity for agency, self-determination, well-being and safety of communities and individuals. Because white researchers have been the narrators of First Nations Peoples representation, these enduring misconceptions of Mob and their communities has affected how First Nations People are treated by decision makers, and society, and how they/we are represented in the performing arts. Through using collaborative Yarning as a research method, there is a greater opportunity for First Nations self-determination in research, and by extension, greater representation of us. |
| Item URL |
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| Publisher |
Springer Nature Link
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| Publisher Location |
Switzerland
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| Volume |
Indigenous Research Knowledges & Their Place in the Academy
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| Issue |
7
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| Page |
263-280
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| Date Issued |
25 July 2025
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| Language |
English
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| ISBN 13 |
https://doi.org/10.1007/978-3-031-92703-4_16
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| Citation |
Carissa Lee, Relationality in First Nations Research and Performing Arts Practices, Springer Nature Link, Switzerland, Indigenous Research Knowledges & Their Place in the Academy, 7, 25 July 2025, 263-280
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| Data Set |
AusStage |
| Resource Identifier |
80479
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