 Resource |
Text: Chapter
|
| Title |
Gendering Space: the desert and the psyche in contemporary Australian theatre [How the Australian desert has been used as a fertile setting for explorations of landscape, corporeality and subjectivity in four plays by women playwrights] |
| Creator Contributors |
|
| Abstract/Description |
A discussion of spatiality in contemporary Australian theatre as it relates to individual identity construction. |
| Subjects |
|
| Related Works |
|
| Related Events |
-
Still Angela, Merlyn Theatre @ CUB Malthouse, Southbank, VIC, 6 April 2002
-
Skin: Somewhere in the Darkness / Historia, Wharf 2 Theatre, Walsh Bay, Sydney, NSW, 16 February 1996
-
Tiger Country, Fairfax Studio, Melbourne, VIC, 19 October 1995
-
Ningali, Goldfields Arts Centre, Kalgoorlie, WA, 28 September 1994
-
Ningali, Don Russell Theatre, Thornlie, WA, 22 September 1994
-
Ningali, Moores Building, Fremantle, WA, 20 August 1994
|
| Source |
Elaine Aston, Geraldine Harris, Feminist Futures? Theatre, Performance, Theory, Palgrave Macmillan, 2007
|
| Publisher |
Palgrave Macmillan
|
| Page |
190-208
|
| Date Issued |
2006
|
| Language |
English
|
| Citation |
Joanne Tompkins, Gendering Space: the desert and the psyche in contemporary Australian theatre [How the Australian desert has been used as a fertile setting for explorations of landscape, corporeality and subjectivity in four plays by women playwrights], Feminist Futures? Theatre, Performance, Theory, Palgrave Macmillan, 2006, 190-208
|
| Data Set |
AusStage |
| Resource Identifier |
44943
|
Provide feedback on Gendering Space: the desert and the psyche in contemporary Australian theatre [How the Australian desert has been used as a fertile setting for explorations of landscape, corporeality and subjectivity in four plays by women playwrights]