Event |
No(h) Exit
|
Venue |
The Wharf Theatre, Sydney, NSW |
First Date |
25 February 1987 |
Dates Estimated |
No |
Status |
Professional |
World Premiere |
No |
Description |
"The clever collective title No(h) Exit for this set of three existentialist one-act plays by two very different writers is a pun on Sartre's invigorating No Exit and Japanese Noh Drama". |
Description Source |
Reviewer's Opinion |
Primary Genre |
Theatre - Spoken Word
|
Secondary Genre |
Noh
|
Organisations |
|
Contributors |
|
Resources |
-
Article:  Andrew Urban, The Australian, 27 February 1987
-
Article:  Brian Hoad, The Bulletin, 17 March 1987
-
Article:  H G Kippax, Sydney Morning Herald, 27 February 1987
-
Article:  Mick Barnes, Sun Herald, 1 March 1987
-
Book:  Sydney Theatre Company 1987 Season [brochure] and Subscription Series Booking Form, Marion Roubos-Bennett Collection, November 1986
-
Review:  Paul McGillick, [No(h) Exit], Centrestage Australia, 1, 8, April 1987, 28
|
Works |
|
Text Nationality |
France
Japan
|
Production Nationality |
Australia
|
Further Information |
"Comprised No Exit, by Sartre, translated by Akerholt; The Lady Aoi, by Mishima, translated by Keene; Hanjo, by Mishima, translated by Keene.
First Subscription Season play mounted in the Wharf Studio (now Wharf 2)."
|
Event Status |
Completed
|
Data Source |
Source |
Description |
Australian Theatre Record |
February 1987 |
Marion Roubos-Bennett Collection |
STC Programmes |
|
Event Identifier
| 1347 |
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